Much can be said about the beauty of Melanie Turner's interior design work. Her rooms seem to capture natural light in an almost ethereal way, adding vitality to each space. Of her many projects, one room seems to captivate fans more than most: her sunny yellow dining room. From the glistening chandelier to the squareback Louis XVI chairs, we agree that the room is a stunner. So... how do you achieve Turner's dining nirvana at home? We've gathered together what we feel are the key elements that pull this classically refined space together.
We've all had the experience of driving into a community and encountering a stunning house that takes our breath away. The type of residence that makes us pause to quietly wonder.. Who precisely lives there? What type of fabulous fetes do they host - and for whom? What do they do for a living? And (if you're even one bit like me) what fabulous fashion investments are safely stored in the master closet? Oh, if walls (and Chanel bags) could talk!
We know these magnificent homes. Fellow Dallas friends can agree these are the noteworthy addresses embossed on invites for significant holiday parties, charity events or designer show houses. Once you've stepped inside one, life can never - ever - be the same.
While we may daydream about the fabulous lives of the inhabitants (and one day intend to be one ourselves), I happen to know someone who designs such estates. The esteemed William T. Baker. This award-winning residential designer will be familiar to many of you in the interior design industry. He's been featured in glossy publications such Veranda, Arch Digest, Elle Decor, Atlanta Homes & Lifestyles and many others. I've written about his work here numerous times (see here & here) and have always admired his impeccable style. His homes are often decorated by such noted talents as Suzanne Kasler & Melanie Turner - two of my favorite interior designers.
Let's step inside the the mind of the man responsible for designing the private homes of influential citizens, successful corporate titans and successful entrepreneurs all over the globe. In celebration of his latest book, Great American Homes Volume III, I've take a moment to interview the talented Mr. Baker to learn more about the creation of these dreamy residences and what evolution he's noticing in the market.
Here's what he had to say...
Tell us what excites you most about the release of Great American Homes Volume III.
Having the opportunity to design families' dream homes is such a privilege! I am excited to share some of these incredible homes with the public. These homes represent the finest in both comfortable living as well as residential architecture that will stand the test of time. The reader will find that the book is illustrated with the floor plan for each home as well as the landscape plan. Together with the interior photographs , a reader can form a good impression of the total project. A careful study of the plans will reveal the continuing evolution of the American house plan.
What project within the book do you feel will surprise readers & fans the most?
One of the hallmarks of my firm's work is that we are adept at designing homes in a number of vernacular styles. While some firms have a single trademark look, we pride ourselves in being able to "speak" many architectural languages. The readers will find a wide variety of homes from grand estates to more simple shake style homes.
Why is that? What makes that residence stand out from the others? A departure in style? An unusual location?
One of the reasons people love to follow my work is that there is an careful handling of the architectural scale and proportions. The details are thoughtfully considered and executed. Our houses definitely set high standard for their communities and become cherished architectural treasures in the years ahead.
Our expectations of “home” evolve over time. What changes are you seeing lately in terms of features your clients are requesting in their homes?
The trend toward more casual living is continuing to the point that we are seeing the formal dining room evolving into a more open room located toward the rear of the house rather than being located on the front as is traditionally the case. We are also seeing the wine function moving upstairs from he basement so that it is now a feature wall in the butler's pantry or even the dining room itself. Master closets continue to expand and the in the master bath we are receiving see requests for his and her toilet compartments or even his and her baths.
For busy professionals, we often hear of the need for a separate exit from the master suite so the person with an early schedule can exit without disturbing their sleeping partner. We are also seeing an amazing number of requests for indoor sport courts. These require 20' ceilings and are usually located below ground so they are major structures.
Your ability to personalize your projects to accommodate the unique collections or preferences of your clients has always impressed me. From statement-making leaded glass windows to antique French paneled walls, I love seeing spaces with treasured art pieces infused into the architecture of the home. Is there an aspect of a project featured in Great American Homes III that stands out for your creative collaboration efforts with the owners? Tell us about that project.
The cover house certainly comes to mind as that was a wonderful collaboration between myself and the owner. The inspiration was a house in France that the owner knew and thus began a journey to create a limestone clad house with overtones from the original. The floor plan was designed around a major acquisition of a stained glass window for the paneled library. The axis of the central hallway allows the window to be seen from the owner's chair in the dining room. Furthermore, the great room is double height and we broke up the volume with banding and paneling that gives the room scale.
These large rooms often feel cavernous but with the architecture of the paneled walls, this room feels comfortable whether its two or two hundred people using it. Lastly, we wanted the family room off the kitchen to have dramatic architecture so we designed it with a coffer barrel ceiling. It took the trim carpenters weeks to build it out! But as the reader will see, the effect is wonderful.
And finally, what can we expect next from William T. Baker & Associates?
Most people think of me as a designer of grand estates. But I have designed a number of resort homes at various coastal resorts, lakes, and mountain retreats. I think it would be fun to create a book featuring some of these amazing homes from around the country.
JOIN WILLIAM T. BAKER FOR A BOOK SIGNING IN NEW YORK....
In Manhattan? Meet Mr. Baker this Wednesday (November 29, 2017) from 6 to 8 pm at Rizzoli Bookstore on Broadway where he'll be signing copies of Great American Homes Volume III and participating in a panel discussion with Suzanne Kasler and Alec Michaelides for further exploration of the spectacular residences in this book and the families who call them home.
If ever there were a power couple in the design space, Melanie Turner & Stan Benecki are surely that duo. Armed with a husband designing award-winning homes, designer Turner unleashes the awesomeness of her design prowess on lucky buyers in the affluent southern residential market.
If the list of designers I would hire is short (I can think of only three or four I would actually hand the controls over to) the list of builder+designer pairings is even smaller. Yet this husband and wife team has mastered the art of designing spaces you are desperate to call your own.
I've raved about Melanie before, and this won't be the last mention of here here. The Atlanta designer is one of a small group of professionals whose work makes me pay retail for magazines when I see them showcased on the glossy pages. I find her style inspiring, intriguing and dripping with accessible glamour. If you're in need of a pre-weekend inspiration, pop over to her portfolio and see if you don't feel the same urge to pick up the phone and book a consultation.
When I study her work I strive to decode her style and identify her hallmarks. Like all great talents, there's no specific "look" that is hers, but I do recognize a few patterns. I see a love of solid upholstery: abundant neutral linen sofas and chairs with pops of saturated color via velvet for dramatic effect here and there. Her light fixtures and wall accessories are stunning and often gilded for that glamorous touch I crave (smartly placed up high and out of reach from pets and children). The decorative objects on surfaces tend to fall the way of natural curiosities: coral, clam shells and weather-worn objects.
I love the push-pull tension of gilt opulence against the serenity that only patina and aged objects can lend. Yet what gives her the star quality to which I am drawn is her ability to surprise you. There's a relaxed vibe to the seating with plumped pillows and a heady mix of textures, that beg you to linger for conversation, but via her decorative accents and artwork she serves up bits of whimsy and curiosity.
All of this is achieved with a vibe of soft modern meets minimal classicist. Nothing is forced. Nothing is overdone. Nothing says "don't sit" or "don't touch" - quite the opposite. These are indulgent, inviting rooms and homes developed with an artistic touch. Melanie and Stan give you light-filled rooms promising you equally sunny moments within them. Yes, please!
Whatever "it" is, Turner and her husband have it. There's no question living in a home designed by and decorated by this dynamic powerhouse would be a pleasure for anyone - especially me. Hopefully I've given your eyes a taste of something marvelous to crave as well.